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How to Sing: Vocal Techniques from the Legendary Opera Singer Lilli Lehmann

Lilli Lehmann
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Preface: (My Purpose) [My Title to Write On the Art of Song]
Section 1 Preliminary Practice
Section 2: Of the Breath
Section 3: Of the Breath and Whirling Currents
Section 4: The Singer's Physiological Studies
Section 5: Equalizing the Voice (Form)
Section 6: The Attack and the Vowels, Pt. 1
Section 6: The Attack and the Vowels, Pt. 2
Sections 7-8: Nasal Singing (The Head Voice, Pt. 1)
Sections 7-8: Nasal Singing (The Head Voice, Pt. 2)
Sections 9-12: Sensations of Tongue, Nose, Palate (Resonance of Head Cavities)
Sections 13-14: On Vocal Registers (Development and Equalization, Pt. 1)
Sections 13-14: On Vocal Registers (Development and Equalization, Pt. 2)
Sections 15-16: White Voices
Section 17: Highest Head Tones
Sections 18-19: The Tremolo
Sections 20-21: The Tongue (Preparations for Singing)
Sections 22-24: Position of the Mouth (Connection of Vowels; the Lips, Pt. 1)
Sections 22-24: Position of the Mouth (Connection of Vowels; the Lips, Pt. 2)
Sections 25-27: The Vowel Sound Ah (Italian and German Auxiliary Vowels, Pt. 1)
Sections 25-27: The Vowel Sound Ah (Italian and German Auxiliary Vowels, Pt. 2)
Sections 28-30: Resonant Consonants (Practical Exercises) [The Great Scale, Pt. 1]
Sections 28-30: Resonant Consonants (Practical Exercises) [The Great Scale, Pt. 2]
Sections 31-32: Velocity (Trill)
Section 33: How to Hold One's Self When Practicing
Section 34: Pronunciation (Consonants, Pt. 1)
Section 34: Pronunciation (Consonants, Pt. 2)
Section 34: Pronunciation (Consonants, Pt. 3)
Section 34: Pronunciation (Consonants, Pt. 4)
Sections 35-36: Concerning Expression (Before the Public)
Sections 37-38: Note Interpretation (In Conclusion) [Remedy for Catarrh and Hoarseness, Pt. 1]
Sections 37-38: Note Interpretation (In Conclusion) [Remedy for Catarrh and Hoarseness, Pt. 2]
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