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Enclosure V

Harry Partch, John Grimes, Danlee Mitchell, Jack Logan, Linda Schell Pluth, Larry Livingston, Gate 5 Ensemble, John Garvey, Coryl Crandall, Joel Klein, Jeffrey Foote, Freda Pierce, John Bert, Elizabeth Hiller, Gregory Millar, Bruce Cook, Rudolphhine Radil, William Derrell, Robert Hood, Marjorie Sweazey, Allan Louw, Ian Zellick, Dante Zaro, Ellen Ohdner, George Probert, Elvena Green, Jane Van Rysselberghe, Darlene Mahnke, Barbara Browning, Ute Miessner, Patricia Carey, Angela Thorpe, Nancy Wiebenson, Sheila Bates, Elizabeth Brunswick, Jackie Fox, Margaret Calhoun, Ben Johnston, George Bishop, Vincent Bouchot, Didier Aschour, Robert Paredes, Isabella Tercero, Robin Gillette, Gary Irvine, Paul William Simons, Ron Caruso, David Savage, Peter Hamlin, Cris Forster, Anita Mitchell, David Dunn & Partch Ensemble
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Ulysses Departs from the Edge of the World (arr. J. Logan)
Revelations In the Courthouse Park: Chorus 1
Revelations In the Courthouse Park: Chorus 3, In Part
Revelations In the Courthouse Park: Scene 1, Hymn to Dionysus: Holy Joy and Get Religion
Revelations In the Courthouse Park: Scene 2, Hymn to Dionysus: What the Majority Believes
Revelations In the Courthouse Park: Scene 2, Hymn to Dionysus: Glory to the Male Womb
Revelations In the Courthouse Park: Scene 3: Chorus 4
Revelations In the Courthouse Park: Scene 4: Coda
Introduction to King Oedipus
King Oedipus: Introduction
King Oedipus: Opening Scene
King Oedipus: First Chorus
King Oedipus: Tiresias Scene (beginning)
King Oedipus: Tiresias Scene (continued)
King Oedipus: Second Chorus
King Oedipus: Creon Scene
King Oedipus: Jocasta Scene
King Oedipus: Incidental Music
King Oedipus: Third Chorus
King Oedipus: Messenger Scene
King Oedipus: Fourth Chorus
King Oedipus: Herdsman Scene
King Oedipus: Oedipus Scene
King Oedipus: Fifth Chorus
King Oedipus: Instrumental Commentary
King Oedipus: Antiphony
King Oedipus: Exit Oedipus - Pantomime
King Oedipus: Final Chorus and Coda
Partita In G Major: Menuet
Come Away, Death
December, 1942: No. 1. Come Away, Death
By the Rivers of Babylon
Introduction to the Bewitched
The Bewitched: Prologue
The Bewitched: Scene 1: Background for the Transfiguration of American Undergrads In a Hong Kong Music Hall
The Bewitched: Scene 2: Background for the Permutation of Excercises In Harmony and Counterpoint
The Bewitched: Scene 3: Background for the Inspired Romancing of Pathological Liar
The Bewitched: Scene 4: Background for the Alchemy of a Soul Tormented By Contemporary Music
The Bewitched: Scene 5: Background for the Visions of a Defeated Basketball Team In the Shower Room
The Bewitched: Scene 6: Background for the Euphoria On a Sausalito Stairway
The Bewitched: Scene 7: Background for the Transmutation of Detectives On the Trail of a Culprit
The Bewitched: Scene 8: Background for the Apotheosis of a Court In Its Own Contempt
The Bewitched: Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise
The Bewitched: Scene 10: Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails
The Bewitched: Epilogue
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