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Bandish Parampara, Vol. 1 (Ragas Bhupali, Behag, Hansadhwani, Kedar & Kalavati)

Arvind Parikh
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Introduction to the Concept of the Presentation
Raga Bhupali (Alap (Sitar))
Qualification of specialised Gat in Bhupali played in earlier times
Gat Bhupali (Sitar)
Tarana based Gat in Raga Bhupali (Introduction)
Raga Bhupali (Tarana based Gat (Sitar))
Raga Bihag (Introduction)
Raga Bihag (Alap (Sitar))
Raga Bihag (Vilambit Gat, Pt. 1 (Sitar))
Raga Bihag (Vilambit Gat, Pt. 2 (Sitar))
Drut Gat in Raga Bihag (Introduction)
Raga Bihag (Drut Gat, Pt. 1 (Sitar))
Observations with regard to difference between Sarod and Sitar Gats
Raga Bihag (Drut Gat, Pt. 2 (Sitar))
Raga Hansdhwani (Introduction)
Gat in Raga Hansdhwani (Introduction)
Drut Gat in Raga Hansdhwani (Introduction)
Raga Hansdhwani (Drut Gat (Sitar))
Raga Kedar (Introduction)
Raga Kedar (Alap & Vilambit Gat (Sitar))
Another Version of Gat in Raga Kedar (Introduction)
Raga Kedar (Drut Gat, Unusual Structure (Sitar))
Ati Drut Gat in Raga Kedar (Introduction)
Raga Kedar (Ati Drut Gat (Sitar))
Raga Kedar (Ati Drut Gat, Alternate Version (Sitar))
Raga Kalavati (Introduction)
Raga Kalavati (Alap (Sitar))
Observations with regard to Special Structure of Raga Kalavati Gat to follow
Raga Kalavati (Madhyalaya Gat (Sitar))
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