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Songs (36)
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Prelude and Fugue on the name B-A-C-H, S. 260: I. Prelude
Prelude and Fugue on the name B-A-C-H, S. 260: II. Fugue. Andante
Prelude and Fugue on the name B-A-C-H, S. 260: III. Fugue. Allegro
Prelude and Fugue on the name B-A-C-H, S. 260: IV. Fugue. Maestoso
Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: I. Moderato
Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: II. Animando poco a poco (a capriccio)
Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: III. Vivace
Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: IV. Recitativo
Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: V. Adagio
Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VI. Un poco più di moto
Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VII. Adagio
Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VIII. Allegro deciso
Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: IX. Fuga. Allegretto con moto
Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: X. Allegro con brio
Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XI. Vivace molto
Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XII. Più mosso
Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XIII. Choral. Adagio
Totentanz. Paraphrase on the 'Dies Irae', S. 126 (Transcr. for Organ by Baltrusch): I. Andante - Presto
Totentanz. Paraphrase on the 'Dies Irae', S. 126 (Transcr. for Organ by Baltrusch): II. Allegro
Totentanz. Paraphrase on the 'Dies Irae', S. 126 (Transcr. for Organ by Baltrusch): III. Allegro moderato
Totentanz. Paraphrase on the 'Dies Irae', S. 126 (Transcr. for Organ by Baltrusch): IV. Variation 1
Totentanz. Paraphrase on the 'Dies Irae', S. 126 (Transcr. for Organ by Baltrusch): V. Variation 2
Totentanz. Paraphrase on the 'Dies Irae', S. 126 (Transcr. for Organ by Baltrusch): VI. Variation 3
Totentanz. Paraphrase on the 'Dies Irae', S. 126 (Transcr. for Organ by Baltrusch): VII. Variation 4
Totentanz. Paraphrase on the 'Dies Irae', S. 126 (Transcr. for Organ by Baltrusch): VIII. Variation 5
Totentanz. Paraphrase on the 'Dies Irae', S. 126 (Transcr. for Organ by Baltrusch): IX. Cadenza
Totentanz. Paraphrase on the 'Dies Irae', S. 126 (Transcr. for Organ by Baltrusch): X. Sempre allegro, ma non troppo
Totentanz. Paraphrase on the 'Dies Irae', S. 126 (Transcr. for Organ by Baltrusch): XI. Allegretto scherzando
Totentanz. Paraphrase on the 'Dies Irae', S. 126 (Transcr. for Organ by Baltrusch): XII. Allegro animato
Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: I. Lento
Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: II. Poco a poco accelerando e crescendo
Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: III. Quasi allegro
Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: IV. Recitativo. Lento
Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: V. Quasi andante
Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: VI. Choral. Lento
Preludes, Op. 28: No. 4 in E Minor. Largo (Arr. for Organ by Franz Liszt)
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